Tarte-ography Workshop
culinary, spatial Savinien Caracostea culinary, spatial Savinien Caracostea

Tarte-ography Workshop

As part of PS21/PATHWAYS: FOOD CULTURES, co-organized by Villa Albertine and PS21, I created and led “Tarte-ography” — an interactive pastry workshop exploring the multi-cultural urbanization of New York City through flavors, textures, and patterns. Participants of all ages collaboratively created a large pastry map using various creams, toppings, and sauces to abstractly interpret the evolution of the city’s diverse cultures and neighborhoods. Building on the conversations of the day, the workshop concluded with the consumption of the intricately composed pastry cityscape.

Read More
Fruit Mandala Installation in Ibiza
culinary, spatial Savinien Caracostea culinary, spatial Savinien Caracostea

Fruit Mandala Installation in Ibiza

Savinien presented his latest pastry installation, a Mandala featuring the vibrant fruits of Ibiza for the RIMA Experience, taking place in the beautiful Temple of Sabina. The installation — consisting of a puzzle of 192 unique tiles — turned into a ceremony during which guests participated in an act of deconstructive co-creation as they took turns consuming the tiles they most connected with.

Read More
Croquembouches at Storefront for Art & Architecture, NYC
culinary, spatial Savinien Caracostea culinary, spatial Savinien Caracostea

Croquembouches at Storefront for Art & Architecture, NYC

As part of the exhibition BEING, Storefront presented DISRUPT: Croquembouches, an installation-banquet on the connections and connotations between Food and Architecture. The event follow a day-long installation by Savinien Carcostea, which included an 9-foot tall cone of Croquembouches, a traditional French dessert, that was on display at Storefront’s gallery throughout the day and was offered to visitors from 6-7pm.

Read More
Kaleidoscopic Journeys: M.Arch II Thesis
spatial Savinien Caracostea spatial Savinien Caracostea

Kaleidoscopic Journeys: M.Arch II Thesis

In my M.Arch II thesis project at the Harvard Graduate School of Design, I explore architectural typologies that seamlessly blend the outside with the inside, such as theaters, department stores, and hotels. These spaces serve as alchemical, proto-cinematic devices that create thresholds between wakefulness and dream, reality and imagination, and space and time.

Read More
Museum of Time: Harvard GSD
spatial Savinien Caracostea spatial Savinien Caracostea

Museum of Time: Harvard GSD

This project was presented at the Harvard Graduate School of Design on May 2nd, 2012.

The Contemporary Art Museum is the place where time manifests itself - where the images we will live by tomorrow are housed as they first make their appearance. It must modulate this interface of several coexisting time frames within the same space through which the visitor negotiates his way. In an effort to foster a fertile territory for the artwork of tomorrow, new contemporary art museums must seize this moment and allow its visitors to transcend the psychology of this passing of time.

Read More
Meshes of the Afternoon: Harvard GSD
spatial Savinien Caracostea spatial Savinien Caracostea

Meshes of the Afternoon: Harvard GSD

This project was presented at the Harvard Graduate School of Design on December 14th, 2011.

What is a utopia today? A dreamer lies on the city's bedrock - giant spiders weave away his dreams - webs expanding out of sight. A tapestry spreads and fastens to the streets, projected as a three dimension matrix, a scaffolding of dreams. This sensitive membrane sifts through the currents of the city, catching in its web particles, fragments, seasons, nights and days, lifting them up in the winds like a fisherman hoists his net.

Read More
“Addressing Bergdorf Goodman” — Cornell B.Arch Thesis Project
spatial Savinien Caracostea spatial Savinien Caracostea

“Addressing Bergdorf Goodman” — Cornell B.Arch Thesis Project

Once "spectacles of extraordinary proportions", department stores are now common retail spaces. Through the application of film, particularly Fellini's 8 1/2, and the understanding of the store as a living subject, Bergdorf Goodman's dreams, fantasies and memories are released, providing a framework for the implementation and organization of new programs in distinction to shopping. In an effort to return to its golden age, these programs open up the store to an eclectic population, making a more social and cultural urban experience.

Read More